Derfner Judaica Museum
Sunday-Thursday 10:30 AM – 4:30 PM Located in the Jacob Reingold Pavilion
Now on View
Jonathan Hammer: Kovno-Kobe April 29 – July 29, 2012
Opening Reception in the Derfner Judaica Museum: Sunday, April 29, 3:30 – 5:00 p.m.
Jonathan Hammer Kovno Headache, 2007
Gouache and graphite on paper
Each 30 x 22 inches
Jonathan Hammer Kovno-Kobe, 2010
Two-fold screen, diverse leathers tooled in precious metals
40 x 30 x 1 inch
Private Collection, New York, NY
Jonathan Hammer Kovno, 2009
From a portfolio of 12 etchings
29 ¾ x 21 5/8 inches
Pizzuti Collection
Jonathan Hammer Victim, 2010
Pastel on black paper
32 x 24 inches
Private Collection, Houston, TX
All images courtesy MIYAKO YOSHINAGA art prospects
Kovno-Kobe features Jonathan Hammer's pastels, drawings, etchings and a bifold screen of diverse animal skins tooled in precious metals that reference events in Lithuania during the Holocaust. The work was inspired by an incident in the summer of 1940, following the Soviet occupation of Lithuania, when the Japanese Consul in Kovno, Chiune (Sempo) Sugihara, issued 2,140 handwritten transit visas to Jewish refugees in the city. The series also references the mass murder of Lithuanian Jews following the German invasion in June 1941.
Drawing on Dada, Surrealism and Neo-Conceptualism, Hammer employs a visual vocabulary of figurative and semi-abstract forms. The finely rendered and ironically delicate images of his etchings, for example, represent both victims and victimizers, evoking violence, mortality and the disintegration of the self. The works conjure the nightmares of the unconscious – puzzle fragments of humanity shaped by patterned animal skins – while contrasting opulence and beauty with violence and death. One may identify the shower head of the gas chambers, the Angel of Death, the ink blots that read as massed corpses, the ubiquitous trains; and such figures of cultural memory as a Jewish patriarch, Mt. Fuji or the Rising Sun, Japanese symbols.
A parallel exhibition, exploring the same themes in new work, Paranormal Nightlight is on view at MIYAKO YOSHINAGA art prospects in Chelsea from April 26 through June 2. It is Hammer’s eighth one-person exhibition in New York City and his second with MIYAKO YOSHINAGA art prospects, and features pastels on paper, an installation on slate, and Hammer’s first exhibited canvases. For further details, visit www.miyakoyoshinaga.com.
Jonathan Hammer is an American artist living in Spain. For 25 years his work has crossed the boundaries of various media and techniques using materials such as exotic skins and porcelain and including books, works on paper (pastels, silverpoints), installation, sculpture, standing screens, photographs and prints. Hammer has had 40 one-person exhibitions (including eight in New York, five with Matthew Marks Gallery) in eight countries, and museum surveys at the Geneva Center for Contemporary Art and the Berkeley Museum. His work is included in the collections of The Museum of Modern Art, New York, the San Francisco Museum of Modern Art, Whitney Museum of American Art and The Museum of Contemporary Art, Los Angeles among others. Hammer is an authority on DADA and has published his critical writing on the subject in Ball and Hammer (Yale University Press, 2002). For further information, visit www.jonathanhammerstudio.com.
A concurrent exhibition of Hammer’s silverpoint works, Tarnish and Shine: Silverpoint Drawings, will also be on view at the Hebrew Home in the Elma and Milton A. Gilbert Pavilion Gallery from April 29 – July 29, 2012. For further information, visit the Gilbert Pavilion Gallery’s page at www.hebrewhome.org/currentexhibits.asp.
Tradition and Remembrance: Treasures of the Derfner Judaica Museum
Hanukkah Lamp
Bezalel School
Jerusalem, ca. 1920-29
Copper alloy: cast, pierced; copper: stamped
Ralph and Leuba Baum Collection
Kiddush Cup
Bezalel School
Jerusalem, ca. 1910
Silver: filigree, engraved
Ralph and Leuba Baum Collection
Hanukkah Lamp
Frankfurt-am-Main, ca. 1750-60
Silver: repoussé, chased, traced, punched, pierced, cast
Ralph and Leuba Baum Collection
Shabbat/Festival Lamp
Andreas Schneider (German, active 18th century)
Augsburg, 1765
Silver: cast, engraved
Ralph and Leuba Baum Collection
Scroll of Esther Case
Izmir, Turkey, 19th century
Silver: Filigree; parcel-gilt
Ralph and Leuba Baum Collection
Torah Case (Tik)
Kashan, Persia, before 1950
Wood: painted; fabric
Decalogue
New York, late 19th century
Wood: carved, painted, gold leaf
The Hebrew Home at Riverdale Archive
Zygmunt Menkes (American, b. Poland, 1896-1986), Cohanim Blessing, ca. 1940s
Oil on canvas, Gift of Erica and Ludwig Jesselson and Family in Memory of Leo Forchheimer
The Derfner Judaica Museum occupies a 5,000-square-foot exhibition space in the Jacob Reingold Pavilion at The Hebrew Home at Riverdale. It is the focal point for a wide range of educational and exhibition programming for residents and visitors alike. Completion of the Museum was funded in part by a furnishings grant received from the New York City Department of Cultural Affairs. With approximately 250 objects, the inaugural exhibition, Tradition and Remembrance: Treasures of the Derfner Judaica Museum, explores the intersections of Jewish history and memory. The stories of objects used in traditional Jewish practice are interpreted in light of the role of memory in shaping both individual and communal identities. Among the featured objects in the exhibition are a silver filigree vase, ca. 1911, and an early copper alloy Hanukkah lamp, both from the Bezalel School of Arts and Crafts founded in Jerusalem in 1906. Other objects come from near and far, including a set of 18th-century German Torah implements, a handsomely illuminated 19th-century Italian marriage contract and a 2nd-4th century lamella amulet.
The Judaica Museum was founded in 1982 when Riverdale residents Ralph and Leuba Baum donated their collection of Jewish ceremonial art to the Home. A refugee from Nazi persecution, Ralph Baum, and his wife, Leuba, had an intense desire to preserve and pass on to future generations the memory embodied in the objects they collected, the majority of which were used primarily by European Jews before the Holocaust. In 2008 the Judaica Museum was named in honor of its benefactors, the late Helen and Harold Derfner.